The Director's Chair - Terence Young

The first director to helm a James Bond film was Terence Young in Dr. No. Young is widely acknowledged as the man who gave James Bond his style. Dr. No’s editor, Peter Hunt claimed that Young could even have played 007 himself! In total he directed three James Bond films, including the first two: Dr. No and From Russia With Love. After a one-film break, he returned to direct Thunderball.

Terence Young’s life was almost as interesting as that of Bond himself. He was born in Shanghai and went to Cambridge before taking part in Operation Market-Garden as a tank commander during World War II. He later co-directed a film about this very battle. His first solo directing credit was in 1948. Young first worked with Cubby Broccoli in 1953 with The Red Beret – a film produced by Broccoli and Irving Allen. This partnership continued for several films, and when Broccoli and Harry Saltzman were planning the first Bond film, Young was hired to direct. Young had a scare while filming the second 007 film, From Russia With Love as the helicopter in which he was flying plunged into the sea while filming. Young, however was back in the director’s chair in a matter of minutes, proving that he was almost as indestructible as Bond himself.

Young passed away in 1994 at the age of 79 after suffering a heart attack. His contribution to the series is immense – without the sense of style and direction given to the early films by Terence Young the series might not have had the lasting impact that it has. Robert Cotton remarked that “Terence Young was James Bond”. How lucky then, that the first 007 films were directed by a man so well suited to the character.

A Licence To Read James Bond

My literary related posts have so far primarily been concerned with the novel of John Gardner. In case anybody had the impression that this was because I preferred Gardner to Fleming, let me just say that this is not the case. The Gardner focus is because I just happen to be working my way through some of Gardner's books at the moment.

If you wish to read some articles about Ian Fleming, allow me to direct you to the 'Licence to Read' series of articles of www.ajb007.co.uk . These articles, written between myself and fellow literary Bond fan Jason Disley, will attempt to cover all of the James Bond novels written to date in the order they were published. The latest article concerns Ian Fleming's final novel The Man With The Golden Gun.
http://www.ajb007.co.uk/articles/a-licence-to-read-tmwtgg/

The next book to be examined will be Ian Fleming's second short story collection, Octopussy and The Living Daylights. After this the series will begin with continuation novels starting with Colonel Sun, so keep an eye on ajb007 to catch these article when they appear!

John Gardner's Role of Honour

The latest Bond novel that I have read is John Gardner’s fourth book, Role of Honour. I will start out by saying that the novel was a typically entertaining read. But, I will add that it is not the most memorable of Gardner’s books that I have read so far. It is now a couple of months since I finished it, and already my memories of the novel are quite vague.

It starts with Bond resigning from SIS in order to allow him to get closer to the enemy by infiltrating their camp. The enemy in the novel turns out to be SPECTRE once again. I found the first half of the novel quite slow moving – the opening chapter is an exception, which features an exciting heist. Bond then spends a great deal of the first half of the novel learning to be a computer games programmer!

The second half of the novel features some exciting action. Apparently Bond and one of the villains were supposed to have a computer gaming match against each other but this was changed because the film Never Say Never Again had already used this idea. The finale takes place on an airship, and the climax of the novel is quite good.

Ultimately this novel goes down as simply a bit of fun, but nothing too significant in the literary 007’s history. The focus on technology and computers make this 1980s novel seem very dated, but for me that is half the fun of reading older novels. Definitely not the worst of Gardner’s books and worth a glance, Role of Honour should entertain you if you enjoy Gardner’s Bond, but don’t expect it to blow your socks off!

007 Profile #2 - George Lazenby

George Lazenby is probably most famous as being the guy who only made one appearance as James Bond. Comments are often made to the effect that On Her Majesty’s Secret Service would be the best Bond film if only Sean Connery was in it. Personally however, I prefer the assessment of Martin Sterling and Gary Morecambe in Martinis, Girls and Guns who say that “On Her Majesty’s Secret Service works because of – not in spite of – George Lazenby’s James Bond.” Sean Connery’s invincible aura would not have been right for the story of OHMSS. Lazenby’s more human, vulnerable character works very well in the context of the film, and as a result OHMSS is one of my favourite Bond films because it is so convincing as a story.

George Lazenby’s own story begins in Queanbeyan, Australia. Lazenby worked as a car salesman, skiing instructor and as a bass guitarist, as well as serving in Australian special forces. His work in the mid-to-late sixties was as a model in London. He appeared in television ads for Fry chocolate, one his few screen roles prior to Bond! His first encounter with producer Cubby Broccoli was in a barber shop, where Lazenby had asked the barber to cut his hair like Sean Connery's. He eventually was chosen as Bond after showing his fighting skills in a screen test in which he broke the nose of the stuntman he was pretending to fight!

After appearing as Bond and declining to continue, Lazenby never achieved the success he could have. He appeared in Kentucky Fried Movie, and a few other small movies, including several Emmanuelle films.

On Her Majesty’s Secret Service has over the years become a favourite amongst many Bond fans, and the film owes much to George Lazenby’s tough, physical, yet realistic portrayal of Ian Fleming’s master spy.

“This never happened to the other fella . . . “